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Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources – including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies– to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video.
Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources – including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records a...
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O autorze
Kate Egan started working in publishing in the mid 1990's. Before becoming a freelance book editor, she was an editor for Scholastic. She also wrote a picture book entitled Kate and Nate Are Running Late!
Martin Smith is an independent researcher
Jamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project
Kate Egan started working in publishing in the mid 1990's. Before becoming a freelance book editor, she was an editor for Scholastic. She also wrote a picture book entitled Kate and Nate Are Running Late! Martin Smith is an independent researcher Jamie Terrill is a Research Associate on the AHRC ...
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